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š‘° š’˜š’‚š’š’• š’š’‚š’Šš’š’” š’•š’‰š’‚š’• š’”š’•š’Šš’„š’Œ, š’•š’‰š’†

š‘° š’˜š’‚š’š’• š’š’‚š’Šš’š’” š’•š’‰š’‚š’• š’”š’•š’Šš’„š’Œ, š’•š’‰š’† š’”š’š’‚š’ƒ š’•š’‰š’‚š’• š’˜š’†š’Šš’ˆš’‰š’”, š’•š’‰š’† š’ƒš’–š’“š’š’Šš’š’ˆ š’“š’Šš’š’ˆ š’š’‡ š’“š’†š’…-š’‰š’š’• š’Šš’“š’š’. I have plenty of reasons to turn on this groggy and crazy bird chest. I do not belong to the woman who dreams of canvases covered with silver swans and burning absinthe. Nor to the woman who throws the piece of a verse into the clay of hands that make walls of polished essence. š‘° š’˜š’‚š’š’• š’š’‚š’Šš’š’” š’•š’‰š’‚š’• š’”š’•š’Šš’„š’Œ, š’•š’‰š’† š’”š’š’‚š’ƒ š’•š’‰š’‚š’• š’˜š’†š’Šš’ˆš’‰š’”, š’•š’‰š’† š’ƒš’–š’“š’š’Šš’š’ˆ š’“š’Šš’š’ˆ š’š’‡ š’“š’†š’…-š’‰š’š’• š’Šš’“š’š’. I have plenty of lies of old poets talking about love. I have plenty of yours that do not plant mine. The nights without verb. The dogs th
š‘° š’˜š’‚š’š’• š’š’‚š’Šš’š’” š’•š’‰š’‚š’• š’”š’•š’Šš’„š’Œ, š’•š’‰š’† š’”š’š’‚š’ƒ š’•š’‰š’‚š’• š’˜š’†š’Šš’ˆš’‰š’”, š’•š’‰š’† š’ƒš’–š’“š’š’Šš’š’ˆ š’“š’Šš’š’ˆ š’š’‡ š’“š’†š’…-š’‰š’š’• š’Šš’“š’š’. I have plenty of reasons to turn on this groggy and crazy bird chest. I do not belong to the woman who dreams of canvases covered with silver swans and burning absinthe. Nor to the woman who throws the piece of a verse into the clay of hands that make walls of polished essence. š‘° š’˜š’‚š’š’• š’š’‚š’Šš’š’” š’•š’‰š’‚š’• š’”š’•š’Šš’„š’Œ, š’•š’‰š’† š’”š’š’‚š’ƒ š’•š’‰š’‚š’• š’˜š’†š’Šš’ˆš’‰š’”, š’•š’‰š’† š’ƒš’–š’“š’š’Šš’š’ˆ š’“š’Šš’š’ˆ š’š’‡ š’“š’†š’…-š’‰š’š’• š’Šš’“š’š’. I have plenty of lies of old poets talking about love. I have plenty of yours that do not plant mine. The nights without verb. The dogs th
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Shivansh

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